A few weeks ago the attractive gardens and grounds at Renishaw Hall provided a perfect pick-me-up after the drudgery of the Covid-19 lockdown, bringing some much needed colour to our lives.
As the Covid-19 infection rate falls and the country starts to open up, we decide it’s time to make the most of summer before it morphs into autumn. One of our first day trips is to the gardens at Renishaw Hall, in the far north of our home county of Derbyshire. We’ve been here before, in spring when the bluebell woods are a magnificent sight, but it looks rather different in the height of summer.
Renishaw Hall was built around 1625 by George Sitwell, who made his money from iron. By the end of the the 17th century the Sitwells were the largest producers of iron nails in the world and their furnaces were producing more than a tenth of England’s entire iron output.
They made a fortune, which enabled one of George’s descendants to enlarge and extend the Hall between 1793 and 1808. The man commissioning the work was called Sitwell Sitwell. Yes, his father really was so obsessed by the family’s name that he forced his wretched son to endure it both as a forename and a surname. Poor bugger.
In the mid-19th century the Sitwells fell upon hard times. The residents deserted the Hall to live in Germany, where the cost of living was cheaper, and its contents were auctioned off. Renishaw might have suffered the fate of so many grand English homes and crumbled away into dust and obscurity, had it not been for the timely discovery of coal on the estate.
The north-east corner of Derbyshire is riddled with coal seams, so we should not be too surprised by the Sitwells’ good fortune. However they made the most of the geological generosity with which their estate was blessed: the family’s fortunes were restored, later enabling the development of Renishaw’s outstanding gardens.
Renishaw Hall is an imposing building, but the curtain of climbing plants clinging to its façade can’t disguise the fact- in my humble opinion, anyway – that externally it’s fairly unremarkable, despite its Grade I listing from Historic England. Big is not always beautiful.
The gardens, however, are rather special. Nearly 120 years ago Sir George Sitwell (1860-1943), fourth baronet, created what is today regarded as one of the most important classical Italianate gardens in the UK.
Sir George could think of no good reason to be modest about his horticultural knowledge and skills, and therefore felt moved in 1909 to show them off by writing An essay on the making of gardens : being a study of old Italian gardens, of the nature of beauty, and the principles involved in garden design. Wouldn’t be my choice of bedtime reading, but what do I know?
Garden features at today’s Renishaw include well-trimmed lawns, immaculately clipped topiary, ornamental ponds, a spectacular fountain, a scattering of statues – both classical and quirky – and borders overflowing with blossoms. And beyond the formal gardens can be found handsome lakes and parkland.
Renishaw’s garden enjoys a II* (“two-star”) listing from Historic England, a non-departmental arm of the British Government funded by the Department for Culture, Media and Sport. Also, in May 2015, it received the UK Garden of the Year award. The award, organised by the Historic Houses Association and sponsored by Christie’s auctioneers, recognises the importance of some of the country’s most spectacular gardens, gardens that have outstanding horticultural and public appeal.
After months of near-confinement at Platypus Towers, it’s great to get out and about at Renishaw. The flower-beds are ablaze, and a ballet of butterflies flits happily between the blossoms. The statues, including an unexpected elk (for anyone reading this in North America, a Eurasian elk’s just like your moose), look splendid in the warm sunshine, and down at the lake a swan paddles happily amongst the rushes and reeds.
The Sitwell family still live at Renishaw. In the first half of the 20th century it was graced by the famous literary trio, Edith, Osbert, and Sacheverell Sitwell, who were all patrons of the arts and played a significant part in the artistic and literary world at that time. Today’s residents have a lower profile, but are pleased for us all to line the family’s pockets by visiting their gardens and, occasionally, the Hall itself. If you’re ever in the area, it’s definitely worth a visit.