Winter always drags, but this year’s been worse than ever. Lockdown 3.0 was imposed just after Christmas, meaning that – other than a weekly trip to the supermarket and an occasional stroll around our suburban estate – we’re confined to Platypus Towers. No chance of a swift visit to a bird reserve on a fine day, and thanks to the regular visits of local cat Milky Bar, only birds with suicidal tendencies visit our garden. It’s a pretty miserable existence, and the lousy weather makes things worse.
But after several days of wintry conditions we wake up on 22 January to a dazzling morning, the sun blazing from a cloudless blue sky. We sit ourselves down in the garden room – which faces south – intent on making the most of this meteorological anomaly, when to our amazement a butterfly appears. It settles on the window ledge, just a metre away from us on the other side of the double glazing, and soaks up the rays for about 20 minutes before moving on again.
The Peacock is a spectacular and unmistakeable butterfly, and takes its name from the vivid pattern of eyespots that decorate all four wings. It’s one of just a handful of British butterflies that overwinter as dormant adults, hunkering down somewhere sheltered during the darkest months in readiness for an early start to the breeding season when spring arrives. However, as we discover today, even in the depths of winter a relatively warm day may rouse Peacocks and encourage them to take to the wing.
I’ve been interested in butterflies since I was a little kid, but have never spotted any this early in the year. And never have I been more grateful to see one of these magical insects: the last 12 months have been tough, and it’s good to be reminded that the beauty of nature will still be there for us to enjoy when the Covid restrictions are finally lifted.
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In 2020 I saw my first butterfly around 6 March, and described it as a “symbol of hope in the darkest of days.” You can read my reflections about the symbolism of butterflies by clicking here.
We’d got big plans for 2020. No overseas visits – we wanted to spend a full year in the UK recovering from our 2019 New Zealand adventure – but plenty of travel here at home: a week in Norfolk, a few days in Liverpool, a fortnight in Cornwall, a long weekend at the British Birdwatching Fair in Rutland, and a Scottish odyssey centred around a two-weeks stay in the Orkney Islands. But Covid-19 has blown our plans out of the water: we’re going nowhere in 2020.
Instead, 2020 has become a year of simple pleasures. For more than three months we barely left the house, other than to buy food, so there was plenty of time to read. As a means of escape I’m working my way through the Jeeves novels and short stories by controversial novelist PG Wodehouse. Sir Pelham Grenville Wodehouse is claimed by some to be the funniest writer of all time in the English language. That’s overstating his abilities, I reckon, but he’s definitely brought me some welcome comic relief in recent weeks.
Written over a period of 60 years between 1915 and 1975, the Jeeves stories comprise a series of tales about upper class buffoon Bertie Wooster, a supremely stupid representative of the English idle rich who’s always getting into scrapes, and Jeeves, his smart, suave and sophisticated personal manservant, who invariably comes to his rescue. The early 20th century class system portrayed by Wodehouse is achingly absurd – grotesque, even – and one is left wondering how Britain ever achieved its prominent position on the international stage when ineffectual prats like Wooster ruled the roost.
The Jeeves stories allow us to glance over our shoulders at a (thankfully) long-lost world, one in which rich White Englishmen did what they liked and everyone else did what they were told. However the books are wittily written, and as long as we remember the historical context and laugh at the appalling aristocracy rather than with them, it’s just harmless, escapist nonsense. And god knows, in the year of Covid-19, we all need opportunities to escape.
Speaking of escapism, we’ve also been using lockdown constructively to binge our way through all eight seasons of Game of Thrones. We missed out on it first time around, but if ever there was an opportunity to find out what all the fuss is about it’s now, when we’ve got loads of time on our hands and not a lot to do with it.
And what a treat it’s been, an epic fantasy, a seething cauldron of death and deceit, dwarves and dragons, debauchery and depravity. Blood and guts litter the landscape in nearly every episode, while power-mad tyrants battle for ultimate control and leave mayhem in their wake. To be honest, it seems not unlike a normal day in the politics of your average western democracy.
For an old cynic like me it’s always been tempting to assume that something as popular as Game of Thrones must be cheap and nasty, just populist rubbish that combines mass appeal with minimal merit. It isn’t. Quite the reverse, in fact. The production values are superb, the characterisation vivid, the narrative complex and compelling. There are few positive aspects of Covid-19, but for us one of them has been creating the space and motivation to finally watch a TV show that just about everyone else on the planet has already seen. Love those dragons!
With opportunities to go out and about strictly limited, initially by government edict and then by our own caution, we’ve spent more time than ever before in our little garden. Thanks to my bad back and knackered knees I don’t look after the garden as well as I should, and it therefore has a slightly wild and unkempt appearance, like my Covid-19 hairstyle. But despite this – or perhaps because of it – the birds and the bees and the butterflies have visited regularly throughout the summer.
One day I even spotted a bat, clinging to a pondside plant in broad daylight. It was during a hot spell and I assume he’d gone to the pond to take on water. He took off before Mrs P could grab her camera, circled two or three times around the garden before flying away. A rare treat, something we’d probably have missed in a “normal” year when we’re away from home for much of the time.
Less rare, but still a treat, is a visit from Milky Bar. Regular readers of this blog will know all about Milky Bar, a local cat who claims our garden as his own. Although he occasionally exerts himself by hunting insects, he is probably the most idle cat in existence and spends most of his time with us sleeping, waking just occasionally to chase patches of shade as the sun tracks westwards across the sky. Milky Bar is a great character, and his visits throughout lockdown always lifted our spirits.
It would be banal to say that 2020 has been a year like no other, but clearly what’s happened in recent months was unimaginable as 2019 drew to a close. Mrs P and I have got off lightly. The virus has – so far, at least – passed us by, and as we’re retired and financially secure we’ve been spared the worries about the future that have afflicted so many working people. Instead we’ve spent our days here at home, comfortable and content.
It could have been so much worse and we’ll be forever grateful for our good fortune, and for life’s simple pleasures.
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Postscript: for all you CAT-LOVERS out there, here are links to other posts featuring Milky Bar:
February was foul. It was the wettest February the UK has ever seen, and the fifth wettest UK month, of any month on record, ever. Large areas of the country experienced unprecedented floods, and although Platypus Towers escaped this particular fate – living halfway up a hill helps! – it was pretty damned miserable. But as George Harrison famously reminded us, all things must pass, and around 6 March the sun finally shows up, giving it large in a dazzling, clear blue sky.
To celebrate our change in fortunes, I decide to treat Attila the Bun to an enormous carrot. I’m standing at the door to his hutch, fondling his ears while he tucks in greedily, and out of the corner of my eye I catch sight of my first butterfly of the year.
The symbolism isn’t lost on me. The transformation of caterpillar into butterfly is one of Nature’s most dazzling tricks. It speaks of redemption, the possibility of change, and the enormous potential that lies within the most unpromising of subjects. Nothing is so ugly that it cannot re-fashion itself into a thing of beauty, nothing is so damaged that it cannot be made whole again, nothing is so stained that metamorphosis cannot restore it to purity.
The butterfly in question is a Small Tortoiseshell. She sits atop some pure white heather blossom, sucking up the nectar, soaking up the rays. Intent upon her business, she allows me to approach and stand so close I could reach out and touch her. The predominant colour of her wings is a foxy reddish-orange, decorated with a scatter of black and yellow splodges and an edging of tiny, bright blue spots. She is so delicate, so beautiful.
My butterfly has overwintered as an adult, hunkered down somewhere sheltered, perhaps a garden shed or a farm outbuilding. For months her metabolism has barely ticked over, but today she’s awake and has a job to do. Now is her time, and with temperatures rising and the days growing longer she must find a mate, and a patch of stinging nettles on which to lay her eggs.
Her children will take to the wing in June and July, and they in turn will produce another generation in late summer. It is that generation, the grandkids of the butterfly before me, that will emulate her by seeking out a sheltered hiding place in which to hibernate through the winter.
As with pretty much every species of butterfly in the UK, Small Tortoiseshells have declined massively in recent decades. Growing up in suburban London half a century ago I used to see them in abundance, and although not rare these days I wouldn’t describe them as plentiful. I don’t think I’ve ever seen one this early in the year so today’s sighting is definitely a bonus, as well as being a welcome indication that spring is waking from its slumber at last.
Eventually, my butterfly decides it’s time to share her ethereal beauty with another lucky soul. Sorrowfully I watch her leave, and wish her well on her journey. I will miss her. Butterflies are a symbol of hope, and god knows we need hope in these, the darkest of days.
At last, after a miserable soggy June, the sun appears, and to mark the occasion a Painted Lady pays us a visit. No, a Painted Lady isn’t a young woman of negotiable virtue. Ours is a respectable town, and that sort of thing simply doesn’t happen here. Honest.
Rather, a Painted Lady is a butterfly, one of the few migratory butterflies seen in the UK. They spend winter in North Africa, and successive generations then work their way north every spring and summer. Significant numbers of Painted Ladies only make it to the UK in exceptional years, when the wind’s in the right direction, so we feel honoured that one has dropped by.
However, she needs to take care, ‘cos Milky Bar’s on the prowl. Milky Bar eats insects for breakfast, and for lunch, dinner and supper too, if he gets the chance. He’s the apex predator in our suburban Serengeti, and everything else with a pulse needs to take care.
Have I told you about Milky Bar? Milky Bar, or MB for short, is a cat who’s been visiting for 18 months or more. He claims ownership of our garden, but graciously allows us to use it so long as we leave him in peace to pursue his hobbies. MB’s hobbies include birdwatching, fishing and eating dragonflies. I have no doubt that he is personally responsible for a shortage of dragonflies in our part of the county.
Our garden has lots to amuse the discerning cat. Milky Bar enjoys scaling the bird table for a better view of his surroundings, and sitting for hours next to the pond, mesmerised by the fish rendered unattainable by the netting I have installed for just that purpose.
But at the end of the day MB is a just a typical moggy, so his favourite pastime is snoozing. Under the weigela, under the bay tree, under the big red rhododendron … Milky Bar’s not fussy, pretty much anywhere shaded will do to while away the afternoon.
And although he may appear sound asleep the merest flicker of his eyelid, the minutest movement of an ear or that tiny twitch at the tip of his tail are all clues to his higher purpose. At heart MB is a hunter, and insects of any shape, size or hue are his preferred quarry. Painted Ladies beware.