Culture shock! Grand Sumo comes to London

A couple of weeks ago Mrs P and I took ourselves off to London for a few days to attend a sumo tournament. Almost without exception the people we told about our plans thought we’d gone crazy. You could see it in their eyes – “Why?” they wondered, “why would anyone pay good money to watch a load of semi-naked fat guys trying to beat each other up?” To which my response is this: please don’t criticise what you don’t understand.

Our connections with sumo

Mrs P and I first encountered sumo in the mid-1980s, when we were able to watch parts of a tournament on television during a vacation visit to Japan. We were intrigued, quickly spotting that this apparently crude and brutal sport is more subtle than it first appears, being rooted in at least 2,000 years of Japanese history and culture. We realised very quicky that if ever the opportunity arose we would like to get to know more about this unfamiliar, but strangely fascinating activity.

A few years later in 1991 the Japan Festival, which was held in London and across the UK, included the first-ever official sumo tournament to be held outside Japan. We managed to get tickets for one day of that event, which was held at the Royal Albert Hall, and so managed to watch sumo live and in the flesh for the first time.

Eight years later we returned for a second visit to Japan. We were staying with a friend who worked at the British Embassy, and through his connections were able to get tickets for one day of the September sumo tournament at the Kokugikan in Tokyo, the country’s foremost sumo arena. It was a wonderful, strangely exotic experience that we have never forgotten.

Although in recent years we have been able to follow sumo on television courtesy of broadcasts by NHK World, we assumed that we would never again get the chance to experience it first-hand. So, when we learned that Grand Sumo was to return to the Royal Albert Hall in October 2025, we were desperate to get tickets.

On the day that tickets went on sale Mrs P logged onto the ticket line the moment it went live, and found that there were already more than 1,000 people in the queue ahead of her! It was evident that the tournament was going to be a big success, and luckily, after a long wait and a lot of anxiety, she was able to bag tickets for the first two days of the five-day event.

Sumo’s history, rituals and rules

Sumo wrestling has an extraordinarily long history. Prehistoric wall paintings suggest that it evolved out of a ritual agricultural dance that was performed to pray for a good harvest. The earliest written references date from the early 8th century, and tell the story of a bout fought between two warlords – in the presence of the Emperor – in 23BCE.

Before the day’s sumo begins the wrestlers parade in all their finery

From the 8th century, ritual sumo was carried out at the imperial court to predict the year’s harvest and to pray for abundance and prosperity. Beginning in the 12th century, it evolved into a form of combat training for samurai warriors. A few hundred years later, Japan embarked upon a long period of isolation from the outside world. Peace reigned supreme, and because samurai warriors no longer needed to fight, sumo wrestling began to develop into a form of entertainment, often as a way to raise money for the repair of shrines and temples. Thus was sumo professionalised.

In the mid-nineteenth century Japan opened up again to foreign contacts and sumo was perceived to be old fashioned, a relic of the past that needed to be relegated to the pages of history. However, in 1884 the Emperor organised a tournament which proved to be a turning point for the sport. Instead of appearing old fashioned, sumo was now seen as a national symbol, part of a shared heritage in which all Japanese people could take pride. And so it remains today.

Grand champion Hoshoryu performs a traditional ring-entering ceremony. He went on to win the tournament (“basho” in Jananese) .

Rituals and ceremonies abound in sumo, and help make it like no other sport I’ve ever seen. These include (1) the ring-entering ceremonies at the beginning of each tournament day, in which the wrestlers (called rikishi in Japanese) parade into the ring wearing elaborate aprons over their belts (mawashi); (2) the tossing of salt into the ring (dohyo) by the wrestlers to symbolically clean it; (3) the rinsing of the mouth with “power water” (chikara-mizu) before a fight, which is similar to the ritual carried out before entering a Shinto shrine; (4) the stomping of the feet by rikishi before a bout begins, which is a ritual to scare away demons; (5) the bow-twirling ceremony (yumitori-shiki), which is performed at the end of each day’s wrestling. Dating back to the 1700s, it symbolises both the winner’s dance and a spiritual cleansing; (6) the ceremonial clothing worn by the referee (gyoji), which resembles that of a Shinto priest.

The bow-twirling ceremony marks the end of the day’s sumo

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The basic rules of sumo are very, very simple: it is a form of wrestling in which a contestant loses if he is forced out of the ring first, or if any part of his body except the soles of his feet touch the ground.  Having said that, there are no fewer than 82 recognised techniques (kimarite) that can be deployed to achieve a winning outcome. Sumo is a lot more complex and subtle than it appears at first glance.

Unlike other fighting sports, sumo does not have weight classes; so long as he stands over 167cm tall and weighs over 67kg any man can participate. One of the most exciting aspects of watching sumo is the “David versus Goliath” battles, fights between two wrestlers with vastly different builds. In sumo, strength and power are important, obviously, but so too are technique and speed. The Davids of the sumo world often deploy their own special skills to defeat their Goliath opponents, much to the delight of most neutral onlookers.

The Grand Sumo Tournament, October 2025

Mrs P and I attended the first two days of the Grand Sumo tournament, and had a truly memorable time. The Royal Albert Hall was packed with spectators, and the atmosphere was electric. While some audience members may have attended out of idle curiosity, it was clear that most knew and understood sumo. It was great to finally be able to sit alongside and to speak with a few people who share our interest in a sport that clearly baffles most Brits.

The tournament attracted a good deal of coverage in the media and online. Wrestling took place in the evening, and earlier in the day the wrestlers – 40 of them, in total – got out and about visiting some of London’s tourist hotspots. If media reports are to be believed the wrestlers made quite an impression on the locals, and were widely perceived as “gentle giants”.

And the wrestlers could turn up – unannounced, of course – just about anywhere, so you can imagine how thrilled Mrs P and I were when we bumped into two of them one afternoon in the Natural History Museum. Shodai (one of our favourite wrestlers!) and Mitakeumi even agreed for a hastily snapped photo.

Ura is our #1 favourite sumo wrestler. He seems like a really nice guy! Other sumo fans clearly agree, as he won the “audience favourite” vote that was run for spectators at the tournament!

Sadly, we couldn’t get tickets for the final three days of the tournament, but fortunately it was televised by the BBC so we managed to see every single match (there were 100 bouts spread across the five days). It was great to be able to watch the conclusion of the tournament on television, but so much better to watch the first two days live and in person in the Royal Albert Hall. It was a surreal experience to be present at an event that is so quintessentially Japanese in a venue that is so very British. Surreal, but wonderful too!

I do understand why, when it is casually viewed without any background knowledge, sumo may be difficult to appreciate. The culture shock must be palpable. But I do wish more Brits would give sumo a chance – they might even get to like it!

And the opportunity to watch this sport here in the UK may arise again quite soon. There is a lot of speculation in the media right now that, following the undoubted success of the October 2025 tournament, sumo may return to London in the near future. I do hope so, I really do.

Wordless Wednesday: Paddington

Wordless Wednesday is a simple blog post featuring a photo. It seeks to convey a message or tell a story, but speaks for itself without using words. Mrs P took this photo of a Paddington Bear tucking into a marmalade sandwich at John O’Groats (in the far north of Scotland) earlier this year.

Who’s a big boy then? – Rocco the rhino spotted at last!

I don’t normally post to my blog on Mondays, but as today (22 September) is World Rhino Day I thought I’d bring forward my deadline to share an update on Yorkshire Wildlife Park’s “teenage” superstar…

When a baby Eastern Black Rhinoceros was born at Yorkshire Wildlife Park in January 2024, the management knew they were onto a winner. Great news for species conservation, obviously, but great news too for visitor numbers. I mean, who doesn’t love a baby rhino? The marketing department went into overdrive, and Rocco the Rhino – named after a public vote – quickly became the Park’s pin-up superstar. The only problem was that, for us at least, Rocco proved to be disappointingly elusive.

Mrs P and I visited the Park several times during the 18 months after the birth, and top of our wish list was always a sighting of Rocco, who was – to judge from the publicity photos – the epitome of armoured cuteness. But we were always disappointed. Instead of roaming their enormous paddock. Rocco and his mum and dad were holed up in their indoor quarters and therefore visible to visitors only via a grainy CCTV system. When we asked about the best time to see him, we were told that the doors to the rhinos’ outside world opened at 11:30am, but it was up to Rocco and his parents to decide whether or not they wanted to come out.

We were also advised that sometimes the doors would remain closed beyond the 11:30am deadline to give Rocco’s mum Najuma a much needed rest. Rocco, we were told, was an energetic and demanding calf who was causing his poor mother a good deal of stress, and the keepers felt it was important to consider her welfare as well as the needs of the infant rhino. Fair enough, I suppose, but it was unfortunate that Rocco was never out and about when we were visiting the Park.

But at last, just a couple of weeks ago, we finally caught up with Rocco in person. At last! The only downside of this encounter was that Rocco is no longer the cute little calf we had been longing to see. He’s now around 20 months old, and his build and bulk more closely resemble that of his poor old mum. To put it into human terms, I suppose he’s now a sturdy teenager. Impressive? Yes, definitely. Cute? No, sadly those days are gone for good.

Putting aside our disappointment at missing out on his cute phase, Rocco’s birth gives cause for celebration. Najuma and Rocco’s dad Makibo came to Yorkshire Wildlife Park in 2018 as part of an international breeding programme to save the species, which is classed as critically endangered. Here’s what the Park’s website has to say about its plight:

Eastern Black Rhinos are the rarest of the 3-remaining subspecies. Between 1970 and 1992, their population declined by 96% to 2300 from a devastating period of poaching for their horns…Thanks to global conservation efforts, Black Rhino numbers have steadily risen to around 6000 individuals. The European Breeding Programme currently holds around 100 individuals in various wildlife parks and zoos.

Source: Yorkshire Wildlife Park website, retrieved on 8 September 2025

It’s good to know that ethically responsible organisations like Yorkshire Wildlife Park are doing their bit to support the conservation of this wonderful species. Finally catching up with Rocco, after so many missed opportunities, was a big thrill. Hopefully before too long he’ll have a brother or sister, and if he does we will visit the Park regularly in the hope of spotting the new arrival before it grows too big to be cute!

Of course, there are many other species – including several conservation priorities – living at the Park. The following photos offer a glimpse of some that we encountered on our recent visit. Maybe I’ll write at length about these species in future posts to this blog?

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The streets of Birmingham, starring Ozzy Osborne and the Floozie in the Jacuzzi

Wandering through the centre of Birmingham a few weeks ago, we were delighted to encounter The Floozie in the Jacuzzi flaunting her wares seductively in Victoria Square. More properly known as The River, the lovely lady is a bubbling fountain, a landmark popular both with local residents and with visitors to the city like me and Mrs P. She’s definitely a bit of an eyeful.

“The Floozie in the Jacuzzi” (aka “The River”) by Dhruva Mistry

Dhruva Mistry’s sculpture dates back to 1993. It’s said that his water goddess represents the life force, and was conceived as a vehicle for instilling a feeling of ‘peace and safety’ amongst people visiting this busy city centre. The good folk of Birmingham appear to have decided that this explanation is maybe a bit pretentious, and that the The Floozie in the Jacuzzi sums her up a lot better. Who am I to argue?

Another piece of Birmingham’s public art celebrates three men who made important contributions to the development of the steam engine in the late 18th century, and who were therefore key players in the early stages of the Industrial Revolution. James Watt (1736-1819) was an ideas man who came up with various improvements to the basic steam engine, while Matthew Boulton (1728-1809) was a wealthy businessman who provided the funding to put Watt’s ideas into practice. They went into partnership in Birmingham in 1775, and the highly practical William Murdoch (1754-1839) formally joined that partnership in 1810.

“The Golden Boys” (aka “The Carpet Salesmen”) by William Bloye and Raymond Forbes-Kings

The homage to the three princes of steam dates from 1956, and is the work of William Bloye (formerly head of sculpture at Birmingham School of Art) and sculptor Raymond Forbes-Kings. Unsurprisingly, it is known as The Golden Boys. More unexpectedly, however, locally the alternative name for the piece is The Carpet Salesmen, reflecting the fact that the plans for a steam engine that the three men are inspecting looks suspiciously like a bit of carpet. Oh, how I love the cheeky irreverence of Birmingham folk!

Another eye-catching piece of artwork in Birmingham city centre is A Real Birmingham Family, a cast bronze sculpture by award-winning artist Gillian Wearing. The subject matter is unconventional, and features two ordinary local women and their sons. The women are sisters, one of whom is pregnant – her second son was born shortly before the sculpture was unveiled in 2014.

“A Real Birmingham Family” by Gillian Wearing

No review of public art in Birmingham would be complete without reference to bulls. The city’s famous Bull Ring shopping centre is built on a site that was for centuries used for the brutal “sport” of bull-baiting. The practice was outlawed in 1835, but the name continues to be associated with that part of the city and is remembered through Laurence Broderick’s magnificent bronze sculpture. The Bull was installed in 2003, and in my eyes portrays the animal as a noble and powerful beast, rather than as the victim of an appalling blood sport.

“The Bull” by Laurence Broderick

There is of course another equally, if not more famous piece of public art celebrating Birmingham’s connection with bulls. I have written previously about the Raging Bull, which was commissioned to open the Commonwealth Games held in Birmingham in 2023. A couple of years after the games, Raging Bull was relocated to New Street Station, and renamed Ozzy in honour of local heavy metal music hero Ozzy Osborne. We were delighted to see Ozzy in his new location when we visited earlier in the summer, where he was continuing to draw in hordes of admirers.

Ozzy the Bull, star of the Commonwealth Games 2023, now residing at New Street Station

Ozzy Osborne was born in 1948, and grew up in the Aston area of Birmingham. He co-founded the pioneering heavy metal band Black Sabbath, and rose to prominence in the 1970s as their lead vocalist. After being fired by the band in 1979 due to his problems with alcohol and drugs, he began a solo music career and later became a reality television star. Ozzy died in late July 2025. He had remained for decades a much loved son of Birmingham, and it was clear during our visit there shortly after his death that the pain caused by his passing was still raw.

Mural featuring Black Sabbath. Ozzy Osborne is third from the left

Heavy metal music is not really my thing, but one song by Black Sabbath is etched into my memory. Released in 1970, Paranoid is a bitter, gut-wrenching exploration of depression and despair. The lyrics are as follows:

Finished with my woman ’cause
She couldn’t help me with my mind
People think I’m insane because
I am frowning all the time

All day long I think of things
But nothing seems to satisfy
Think I’ll lose my mind
If I don’t find something to pacify

Can you help me
Occupy my brain?
Oh yeah

I need someone to show me
The things in life that I can’t find
I can’t see the things that make
True happiness, I must be blind

Make a joke and I will sigh
And you will laugh and I will cry
Happiness I cannot feel
And love to me is so unreal

And so as you hear these words
Telling you now of my state
I tell you to enjoy life
I wish I could but it’s too late

Source: LyricFind

Ozzy didn’t write the lyrics Paranoid – they were the work of bandmate Geezer Butler – but did create the melody. His early years were very challenging, and Ozzy said later that as a teenager he attempted suicide on multiple occasions. Perhaps this is why his performance as lead vocalist on Paranoid is so powerful. You can listen to Ozzy doing his stuff by clicking on the following YouTube link.

Birmingham lost one of its favourite sons when Ozzy Osborne died on 22 July, just 17 days after what had been billed as his final live performance. He clearly remains close to the heart of the people of his home city, a genuine working class hero. Rest in Peace, Ozzy.

Detail from a poster promoting a summer 2025 exhibition in Birmingham about Ozzy’s solo career