The streets of Birmingham, starring Ozzy Osborne and the Floozie in the Jacuzzi

Wandering through the centre of Birmingham a few weeks ago, we were delighted to encounter The Floozie in the Jacuzzi flaunting her wares seductively in Victoria Square. More properly known as The River, the lovely lady is a bubbling fountain, a landmark popular both with local residents and with visitors to the city like me and Mrs P. She’s definitely a bit of an eyeful.

“The Floozie in the Jacuzzi” (aka “The River”) by Dhruva Mistry

Dhruva Mistry’s sculpture dates back to 1993. It’s said that his water goddess represents the life force, and was conceived as a vehicle for instilling a feeling of ‘peace and safety’ amongst people visiting this busy city centre. The good folk of Birmingham appear to have decided that this explanation is maybe a bit pretentious, and that the The Floozie in the Jacuzzi sums her up a lot better. Who am I to argue?

Another piece of Birmingham’s public art celebrates three men who made important contributions to the development of the steam engine in the late 18th century, and who were therefore key players in the early stages of the Industrial Revolution. James Watt (1736-1819) was an ideas man who came up with various improvements to the basic steam engine, while Matthew Boulton (1728-1809) was a wealthy businessman who provided the funding to put Watt’s ideas into practice. They went into partnership in Birmingham in 1775, and the highly practical William Murdoch (1754-1839) formally joined that partnership in 1810.

“The Golden Boys” (aka “The Carpet Salesmen”) by William Bloye and Raymond Forbes-Kings

The homage to the three princes of steam dates from 1956, and is the work of William Bloye (formerly head of sculpture at Birmingham School of Art) and sculptor Raymond Forbes-Kings. Unsurprisingly, it is known as The Golden Boys. More unexpectedly, however, locally the alternative name for the piece is The Carpet Salesmen, reflecting the fact that the plans for a steam engine that the three men are inspecting looks suspiciously like a bit of carpet. Oh, how I love the cheeky irreverence of Birmingham folk!

Another eye-catching piece of artwork in Birmingham city centre is A Real Birmingham Family, a cast bronze sculpture by award-winning artist Gillian Wearing. The subject matter is unconventional, and features two ordinary local women and their sons. The women are sisters, one of whom is pregnant – her second son was born shortly before the sculpture was unveiled in 2014.

“A Real Birmingham Family” by Gillian Wearing

No review of public art in Birmingham would be complete without reference to bulls. The city’s famous Bull Ring shopping centre is built on a site that was for centuries used for the brutal “sport” of bull-baiting. The practice was outlawed in 1835, but the name continues to be associated with that part of the city and is remembered through Laurence Broderick’s magnificent bronze sculpture. The Bull was installed in 2003, and in my eyes portrays the animal as a noble and powerful beast, rather than as the victim of an appalling blood sport.

“The Bull” by Laurence Broderick

There is of course another equally, if not more famous piece of public art celebrating Birmingham’s connection with bulls. I have written previously about the Raging Bull, which was commissioned to open the Commonwealth Games held in Birmingham in 2023. A couple of years after the games, Raging Bull was relocated to New Street Station, and renamed Ozzy in honour of local heavy metal music hero Ozzy Osborne. We were delighted to see Ozzy in his new location when we visited earlier in the summer, where he was continuing to draw in hordes of admirers.

Ozzy the Bull, star of the Commonwealth Games 2023, now residing at New Street Station

Ozzy Osborne was born in 1948, and grew up in the Aston area of Birmingham. He co-founded the pioneering heavy metal band Black Sabbath, and rose to prominence in the 1970s as their lead vocalist. After being fired by the band in 1979 due to his problems with alcohol and drugs, he began a solo music career and later became a reality television star. Ozzy died in late July 2025. He had remained for decades a much loved son of Birmingham, and it was clear during our visit there shortly after his death that the pain caused by his passing was still raw.

Mural featuring Black Sabbath. Ozzy Osborne is third from the left

Heavy metal music is not really my thing, but one song by Black Sabbath is etched into my memory. Released in 1970, Paranoid is a bitter, gut-wrenching exploration of depression and despair. The lyrics are as follows:

Finished with my woman ’cause
She couldn’t help me with my mind
People think I’m insane because
I am frowning all the time

All day long I think of things
But nothing seems to satisfy
Think I’ll lose my mind
If I don’t find something to pacify

Can you help me
Occupy my brain?
Oh yeah

I need someone to show me
The things in life that I can’t find
I can’t see the things that make
True happiness, I must be blind

Make a joke and I will sigh
And you will laugh and I will cry
Happiness I cannot feel
And love to me is so unreal

And so as you hear these words
Telling you now of my state
I tell you to enjoy life
I wish I could but it’s too late

Source: LyricFind

Ozzy didn’t write the lyrics Paranoid – they were the work of bandmate Geezer Butler – but did create the melody. His early years were very challenging, and Ozzy said later that as a teenager he attempted suicide on multiple occasions. Perhaps this is why his performance as lead vocalist on Paranoid is so powerful. You can listen to Ozzy doing his stuff by clicking on the following YouTube link.

Birmingham lost one of its favourite sons when Ozzy Osborne died on 22 July, just 17 days after what had been billed as his final live performance. He clearly remains close to the heart of the people of his home city, a genuine working class hero. Rest in Peace, Ozzy.

Detail from a poster promoting a summer 2025 exhibition in Birmingham about Ozzy’s solo career

On safari in deepest, darkest Norwich!

For readers unfamiliar with the place, Norwich is a historic city in the east of England that is famed for its magnificent medieval architecture and mustard! It’s not somewhere a visitor might reasonably expect to encounter giraffes, rhinos or elephants. But these critters, as well as some lions and the occasional gorilla, were all strutting their stuff in Norwich when we took a trip there a few weeks ago.

The reason for the invasion was the GoGo Safari, a temporary public art trail featuring around 50 sculptures decorated by professional artists, sponsored by local businesses and curated by Wild in Art. As well as adding some welcome splashes of colour to the local street-scene, the GoGo Safari project is raising funds to support Break, a local not-for-profit organisation that seeks to make life better for young people on the edge of care, in care and leaving care.

Various fundraising initiatives are linked to the Safari, the most significant being a public auction of the sculptures a few weeks after the trail closes. Based on experience at similar events elsewhere, the average price of the sculptures is predicted to be around £6k to £7k (USD 8k to 9.5k), meaning that the whole event should raise a sizeable sum for a very worthy cause.

Sadly, Mrs P and I won’t be bidding at the auction! Although many of the sculptures are fabulous, their expected price is way beyond what we’re able to spend on a decorative item for the garden. However, walking the streets of Norwich in search of random rhinos and sundry other colourful characters was a great way to spend a couple of days. The artworks were impressive, and it was interesting to meet and share ideas with other folk on a similar mission.

While the design of some of the sculptures is purely decorative, others feature local themes and places. All the Fun of the Fair (below), for example, takes whimsical inspiration from the nearby Thursford Steam Museum.

And the detail on some of the sculptures is very eye-catching. Just why the rhino sculpture (below) is called Andy remains a mystery to me, but the birds adorning his ample body were splendidly handsome.

Another positive aspect of the project is the opportunity for schools and community groups to contribute through decorating their own small giraffe. We were delighted to encounter this herd of “Mini G’s” (below) in the Chantry Place shopping centre.

Everyone, it seems, was having a good time on the GoGo Safari trail, and it was particularly encouraging to see the excitement on the faces of little children when they spotted another spectacularly decorated sculpture. The event closes in just a few days, but similar initiatives happen up and down the country every summer and occasionally abroad. They are definitely worth checking out if you ever get the chance.

Celebrating International Cat Day

Today, August 8th, is International Cat Day. I don’t normally post to my blog on Fridays, but in order to celebrate this very special day I thought I’d break my own rules for once. Doing so gives me an excuse to share more photos of the cats in my life…not that I really need any excuse! Milky Bar, Malteser and Caramel are irresistibly cute, and as such are a reminder of why cats are so popular in every comer of the world.

Caramel…he may look innocent, but he’s invariably guilty!

International Cat Day dates back to 2002, when it was established by the International Fund for Animal Welfare (IFAW) with the aim of promoting the importance of cat welfare and responsible pet ownership. In 2020 responsibility for the annual celebration was passed to International Cat Care, a not-for-profit British organization that has been working for many years to improve the health and welfare of domestic cats across the globe.

On its website, International Cat Care says

Each year, International Cat Day is an opportunity to highlight important feline-focused topics and raise awareness of cats as a species, sharing our resources and information for cat owners and feline enthusiasts around the globe to support their care for cats.    

Milky Bar dozes while Caramel shows off. They are two very different personalities.

The website goes on to explain that this year the focus will be on “what it means to be ‘cat friendly’ – respecting each cat’s unique nature and meeting their environmental and social needs, at home, in the veterinary clinic, on the street or in a shelter. ”

Milky Bar wonders why Malteser is sitting on his seat.

Sounds good, and I particularly like the reference in this quote to the unique nature of cats. Milky Bar, Malteser and Caramel clearly demonstrate this: Milky Bar is cautious, self-focussed and keeps his distance from us; Malteser is friendly, playful and calm; and Caramel is boisterous, mischievous and demanding, suffering as he does from a serious dose of FOMO (Fear Of Missing Out). Between them, the three felines demonstrate perfectly that cats are individuals, each with their own distinct personality and needs. Recognising this is key to ensuring their continued happiness. 

Milky Bar chills out.

Although Milky Bar, Malteser and Caramel are not our cats (they live with neighbours further up the road) Mrs P and I will do everything in our power to ensure that they have a great time on International Cat Day. And we’ll do exactly the same the next day. And the day after that too. In my book, every day should be an International Cat Day!

Norwich Cathedral’s very own outrageous superstar – Budge the Cat

I have written previously about Budge, the cat who spends his days prowling around one of the UK’s finest cathedrals. Built in the Romanesque style, Norwich Cathedral is a magnificent medieval building, so when Mrs P and I – clutching our cameras, of course – made a return visit a few weeks ago, the volunteers on “meet and greet” duty obviously assumed we were there to admire the architecture. They must therefore have been a bit put out by my opening questions, which were “Is Budge here?” and “How’s he doing these days?”

On top of the grand piano, close to the pulpit

Moving swiftly to hide their disappointment at our apparent lack of interest in things architectural or spiritual, the lovely ladies soon regain their composure and update us on the latest news about Budge. We are relieved to learn that the famous feline, who has been a daily visitor at the cathedral since 2018, is indeed prospering. And we’re told he has a new trick – leaping onto the pulpit, and drinking from the priest’s glass of water. Amazing, we say, without believing for a moment that we’ll soon be witnesses to this outrageous behaviour.

Trotting enthusiastically across the cloister

As we wander through the cathedral it doesn’t take us long to spot Budge, trotting enthusiastically across the cloister to greet a bunch of besotted admirers. Budge is a genuine superstar, who even has his own Instagram and X accounts. Lots of visitors to Norwich Cathedral (not just me and Mrs P!) actively seek him out, and like all good superstars he’s never too shy to put on a show.

Revelling in the attention of his besotted fans

After a while however, Budge decides that enough is enough and heads up an unimpressively modern staircase to find himself a bit of seclusion. Even superstars need down time, when they can relax and recharge their batteries before meeting up with their adoring fans once more! We therefore assume we’ve seen the last of him, and head off to the main body of the cathedral so Mrs P can take a few photos.

Taking his leave…time for a rest

And so it is that Mrs P is clicking away happily, wrapped up in her photography, when she lets out a little squeal. She’s spotted Budge, who’s sitting on the pulpit and casually watching the comings and goings of a busy cathedral at the height of the tourist season.

The view’s great from up here

As we watch him we spot a glass of water on a wooden ledge a short distance beneath the top of the pulpit. We’re not the only people who spot him. Pretty soon a small crowd has gathered, keeping a respectful distance while waiting patiently to see what happens next. Having reassured himself that he has the full attention of his audience Budge crouches down, reaches out and dips his paw into the priest’s glass of water, then brings the soggy paw back up to his mouth and starts licking it dry.

Ten seconds later he repeats the process, and then again and again until his thirst is fully quenched. It’s clearly something he’s accustomed to doing regularly. Hopefully the priest is also wise to Budge’s outrageous behaviour and changes the water before delivering his sermon.

Even superstars need a good scratch from time to time!

Having drunk his fill, Budge leaps down from the pulpit and moves away to a nearby grand piano, where he has a good scratch (we all need one from time to time, don’t we?) before settling down to snooze. It’s such a tiring life being a feline superstar. What a cat!

Wordless Wednesday – Gotcha!

Wordless Wednesday is a simple blog post featuring a photo. It seeks to convey a message, but speaks for itself without using words. Mrs P took this photo of a White-Bellied Sea Eagle on the Arthur River in Tasmania, Australia in 2016.

The Lady of the North

We broke our long journey to Orkney by calling in on the Lady of the North. She promised so much, a naked, voluptuous goddess sprawling erotically across the Northumbrian landscape. You don’t see one of those every day, do you? But, if I’m honest, there’s much less to the Lady than meets the eye.

The Lady, who is also known as Northumberlandia after the county in which she resides, is the work of American landscape designer Charles Jencks (1939 -2019). He created this effigy of a recumbent naked woman, 400 metres long with grassy breasts 34 metres high, between 2010 and 2012.

To achieve his goal Jencks used spoil from a nearby opencast coal mine – some 1.5 million tonnes of rock, clay and soil – shaping it carefully into the improbable form we see today. Most spoil heaps are an ugly blot on the landscape, so it was good to come across an example of one being put to creative use.

The Lady is the centrepiece of a freely accessible Community Park. Criss-crossed by around 6km of paths, the park is good as a place for a countryside stroll, somewhere to listen to birdsong, to walk the dog or to let the kids run wild. It’s clearly an asset to local people, but for me is doesn’t quite work as a piece of public art.

A view from the Lady’s forehead, down along her nose towards her breasts

The problem with Northumberlandia is that it’s just too big to appreciate from ground level. From the right angle the Lady’s head, which sports a prominent nose, is unmistakeable. Her breasts are also stand-out features, but would you know what they’re supposed to be if you hadn’t seen the site plan? And as for the rest of the body – the arms, the torso and the legs – Mrs P and I strode happily over them, but to be honest we could have been anywhere.

Northumberlandia is an ambitious project, but really needs to be viewed from the air to be fully appreciated. If only we’d had access to a helicopter for an hour or two. Or better still wouldn’t it be great to be able to grow some wings and fly, and so enjoy a birds-eye view of the lovely Lady!