The Sculpture Park: riding dinosaurs, boosting moods
A few months ago I wrote about a controversial sculpture in Birmingham. I called the piece “Art’s Not Meant to be Easy” and concluded by observing that artists have a duty to make us reflect, to make us debate, to make us think critically about the world in which we live, even if the process is painful. In retrospect I should have said that this deadly serious task is one of an artist’s duties. On the other hand, sometimes the artist’s role is – quite simply – to help us have fun, to focus on boosting moods rather than improving minds.
When we visited The Sculpture Park in Surrey a few months ago there was plenty on show to make us think. But there were also some witty creations dotted around the ten acre (4 ha) site, works that seemed to serve no higher purpose than to entertain and raise a few laughs. Who, for example, can fail to be delighted by the sight of well-built lady riding on the back of a dinosaur, while wearing nothing but a top hat and an anxious expression?
The piece in question is called Pre-Hysteric. Standing 11 feet (3.5m) high, it is made from bronze resin. Its British sculptor, Andrew Sinclair, claims never to have grown out of his fascination with dinosaurs, and has evidently put his childhood obsession to good use. Pre-Hysteric was one of the first pieces we encountered on entering The Sculpture Park, and immediately we saw it we knew we were going to have a great day.
Pre-Hysteric could be yours to own for the princely sum of £29,000 (USD 34,000). Plus tax, of course. Our government’s a bit short of cash right now, and would very much like to get its hands on some of yours. You have been warned!
Another sculptor who made us laugh is Paul Richardson. Paul appears to specialise in grumpy old men, and since – according to Mrs P, anyway! – I am one, I suppose it’s inevitable that I should feel some affinity with his work! The Butler seems to be a servile, miserable old guy, slightly stooped and obsequiously carrying a small drinks tray. But all is not as it seems…hidden behind his back he carries a tyre iron, with which he presumably intends to beat his master into submission. His facial expression suggests that he relishes the prospect of avenging the indignities that his job has inflicted upon him.
In a magical contemporary twist, some bright spark has placed a bottle of hand sanitiser on The Butler‘s drinks tray. I’m tempted to say that we could easily manage without such reminders of the pandemic, but on the other hand isn’t it good to be able to laugh at Covid for a moment rather than to fear it.
Other delightfully grumpy old men fashioned by Paul Richardson include Doctor Foster, who carries a brief case in which – no doubt – he stores various instruments of surgical torture that he will inflict upon his poor unsuspecting patients, and Jonah, who looks so fearsomely cantankerous that he’s almost certainly a politician in his spare time.
Neither Sinclair nor Richardson’s pieces are high art, but they are supremely witty – seeing them lifted our spirits and boosted our mood enormously. After all, what’s the point of life without a bit of laughter now and then?