Kedleston Hall – a masterpiece that lasts all year
Kedleston Hall is yet another of our local stately homes that gets dressed up for Christmas, so one morning a couple of weeks ago we decided to check out its latest festive makeover. Poor Kedleston, Derbyshire’s forgotten treasure, is forever in the shadow of the local legend that is Chatsworth House. However, in my view anyway, the place is a seriously under-appreciated masterpiece that’s worth visiting at any time of the year, not just at Christmas.
Chatsworth, ancestral home of the Dukes of Devonshire, has a national profile and is beloved by locals and tourists alike. And very fine it is too, if bling is your thing. I like Chatsworth well enough, of course, but if given the choice I’d prefer to potter around Kedleston any day.

The Marble Hall
Kedleston Hall is an 18th century Palladian and Neoclassical wonder. To build it, local bigwig landowner Nathaniel Curzon, 1st Baron Scarsdale (1726-1804) flattened an entire village of the same name, thus ensuring that he wouldn’t have to endure unwanted encounters with the local peasantry while wandering his estate.

The Drawing Room
Behaviour like this was typical of men of his ilk at the time, and from a 21st century perspective is totally inexcusable. The only mitigation one might offer is that Curzon built a damned fine house on the land he so rapaciously reclaimed from his tenants, though I doubt that this was much of a comfort at the time to the poor people he made homeless.

The Library
Although the Curzon family still lives in part of the Hall, the property and surrounding parkland is now owned on behalf of the nation by the National Trust. Here’s what the Trust’s website has to say about Kedleston:
“Kedleston Hall is an extravagant temple to the arts designed by the architect Robert Adam…The house is framed by historic parkland and boasts opulent interiors intended to impress. Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.”
Source: National Trust website, retrieved 13 December 2022
Neo-classicism may not be to everyone’s taste, but it works for me, The elegance and sheer beauty of Robert Adam’s work is breath-taking, and while I was looking forward to a bit of Christmas cheer at Kedleston I was concerned that it might detract from the majesty of the Hall’s state rooms. But I need not have worried: the Christmas decorations were tastefully restrained, and the Adam’s interiors remained the stars of the show.

The Saloon
Entrance to the mansion is via the grand Marble Hall. With walls boasting multiple niches that display statues in the classical Roman style, and lined by 20 soaring, fluted alabaster columns topped with elaborate Corinthian capitals, the Marble Hall is clearly a statement piece. It is designed to overawe visitors, to advise them that they have entered the home of someone richer, more cultured, and more powerful than they can ever hope to be. Know your place! it proclaims.

The Music Room
Equally impressive is the Saloon, a circular room rising 62 feet (19m) to a grand glass skylight. It was designed as a sculpture gallery, the style being based on the temples of a Roman Forum. The modest Christmas tree at its centre did little to distract our attention the sheer elegance of the room’s design.






Clockwise from Top left: The Library. Top right: Ante Room / Dressing Room. Bottom Right: The Saloon. Bottom Left: View through Ante Room / Dressing Room to the Christmas tree in the Saloon. Middle (bottom): The Dining Room. Middle (top): The Family Room
The other state rooms, including the Library, Drawing Room and the Dining Room, are equally impressive. And that’s the point. This place was built to impress, and it does just that. More than Chatsworth House, and more than just about every other stately home I’ve ever visited, it positively exudes the wow factor. I love Kedleston Hall just as much as I’m sure I would have disliked Nathaniel Curzon, the guy who commissioned this spectacular mansion…anyone with an ego that big must have been seriously bad news!